HISTORY & ALUMNI
A Brief History of the NYMT

Past Productions

NYMT Alumni

Where Are They Now?
A BRIEF HISTORY OF THE NYMT
Jeremy James TaylorFounded in 1976 by Jeremy James Taylor, the National Youth Music Theatre’s beginnings were at Belmont, the Mill Hill Junior School. Here, under Jeremy’s direction and inspired by Ben Jonson’s moving epitaph on an actor who died very young, an 11-13 cast created and invented The Ballad of Salomon Pavey. Following its school performance, an adventurous and enlightened headmaster allowed his ambitious director to take the whole thing to the Edinburgh Fringe where it won fine reviews, excellent audiences, a Fringe First Award and an invitation to bring it to London as part of Her Majesty’s Silver Jubilee Celebrations. (The visit by a school company also started the ‘trend’ for schools and youth groups to take shows to the Edinburgh Fringe - a development which has grown to mammoth proportions over the years).

The company quickly became “The Children’s Music Theatre”,, using young performers auditioned and selected from schools throughout the UK, creating a centre of excellence with many new productions, rave reviews, awards and plaudits which meant a high profile in the arts. With this profile, which by now included invitations to perform at The National Theatre and to create new music theatre works for the BBC and Granada Television, came the opportunity to inspire and educate young people through preparing for and presenting performance at the highest level. The NYMT was, as always, rich in all but funds and moved from strength to strength.

In 1985 there was a change of name and, in the same year, the first residential workshops took place, producing strong casts for summer productions. In 1984 Frank Dunlop, the new Artistic Director of the Edinburgh International Festival, invited the company to present an opera on the Festival programme. Such was thew success of this that in 1986, he presented two more NYMT productions whichbraised the profile of the company to new heights. Then, in 1987 Richard Stilgoe offered NYMT the opportunity to premier his new musical, Bodywork and, as a result, Edinburgh 1987 was, in Jeremy’s words, “crazy, hilarious and fantastical”. Huge audiences and rave reviews were followed by a Royal Gala Performance with HRH The Prince Edward in the audience and, emboldened by prestigious new associations, Jeremy invited HRH to become President of NYMT. In the same year, 1988, NYMT found a new sponsor and moved to Sadlers Wells, providing an annual 3-week “season” and an office with a telephone. Success indeed!

An excellent first season at Sadlers Wells led to the BBC broadcast of The Ragged Child the following Christmas, a host of productions across the UK and others as far afield as Tokyo., Norway, Greece and New York. During this time NYMT’s new President attended at least one performance of every single production; an astute, honest and perceptive critic, who contributed hugely to NYMT’s development during these busy years.

In 1992 the company was bursting out of Sadlers Wells and it moved its offices to The Royal Opera House.The President informed the company that Andrew Lloyd Webber would support NYMT, which move coincided with invitations to New York, Hong Kong, Toronto and New York’s Broadway!. , In 1996, NYMT was at last recognised by the DfEE with a 3-year grant.

The following busy years saw NYMT spread its workshops into Northern Ireland, the North East and East Anglia and, during this time, Messrs Goodall and Hart gave NYMT The Kissing Dance and followed this with The Dreaming which enjoyed a Christmas season at the Royal Opera House’s Linbury Studio Theatre.

Over 30 years NYMT has had a huge cast. It has also, as well as staging some of the great classics of musical theatre, created a considerable and important body of new music theatre works for performance by young people. Some of the brilliant and inspirational young performers have gone on to enrich the professional stage whilst others have decided upon other careers. All have taken with them exceptional skills, memories and a drive to support education in the arts which bodes well for our country’s development.

Long may this all continue!!
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The Children's Music Theatre Ltd. Trading as The National Youth Music Theatre.
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